X-Men: The Last Stand-A CleverSchmever Review…
Let me start off by saying, I have a love/hate relationship with the X-Men. I love the concept and a lot of the characters, but I hate a lot of the stories that chronicle their adventures in a world that fears and hates them. So, I’m open to change and adaptation when it comes to these characters. In fact, I encourage it. I’m not a continuity nerd, at least, not in the traditional sense.
When I watched the first 2 X-Men movies, I wasn’t annoyed or angered by the adjustments made by Bryan Singer and company. I loved their take on Nightcrawler and the character's borderline zealotry. I enjoyed the depth of Iceman’s “coming out” scene and I adored the opening sequence of the first film, where Nazi’s separate a young Magneto from his parents at a Concentration Camp.
However, Brett Ratner’s X-Men: The Last Stand takes the word “adaptation” to a whole new meaning. While Mr. Singer kept to the spirit and message of the source material, Mr. Ratner and company seemed more than a little lost. Perhaps it was because Josh Holloway turned down the part of Gambit, causing the character to be removed from the film. Or perhaps it was the lack of a screenplay. Or perhaps it’s because Tom Rothman rushed the movie into and out of production in order to beat Bryan Singer’s Superman Returns to the theaters. Whatever the reason, X-Men: The Last Stand fails compared to the previous films.
When the film starts, it looks like it’s going to keep the loyal spirit of its predecessors. The viewer is treated to a flashback with a young Charles Xavier and Magneto. There’s a fun fight scene that introduces a classic X-Men concept (I won't rruin it for you), a meaty Cyclops and Wolverine scene and the introduction of the sublime Kelsey Grammar as The Beast. Ratner even elevates Kitty Pryde from background character to full-on X-Man. However, the film quickly descends into madness as deaths that never happened in the comics pop up and a new explanation of the Phoenix gets blurted into the story. The lack of structure is akin to the work of a 6 year-old playwright.
Gone is the complex story structure of part 2, where several plot threads weave together forming a cohesive, stunning ending, challenging the viewer along the way. In this film, everything is spelled out for the viewer, there’s no real challenge for the audience. We were smart enough for the first 2 films, yet it seemed Fox thought we weren’t smart enough ffor this go-around, so they dumbed it down. Characters like Rogue, Angel, Mystique and Cyclops are tossed aside in favor of an idiotic Juggernaut who has to pee, something vaguely resembling the Dark Phoenix, “new” mutants and a suddenly vicious Pyro.
Magneto, arguably one of the most empathetic and complex villains in recent cinema history, traipses sround as a 1 dimensional supervillain. What happened to the man torn between his former friends and his ideals? It’s like the only person on set that understood the character was Sir Ian McKellan. Consummate gentleman that he is, Sir Ian delivers the dialogue he’s given and does his best to add Magneto’s previous persona into this installment of the series. He’s partially successful.
Then, we get poor Halle Berry. The woman has been shafted as Storm for 2 movies and now she gets her chance to shine. Unfortunately, her dialogue is so poorly written that you can see the super-talented Ms. Berry struggling to make it believable. She almost pulled it off, and that is a credit to her skill as an actress.
Kelsey Grammar was a great choice for Beast, as was Ellen Page for Kitty Pryde, but the film never slows down enough to explore their characters. When watching X-Men 2, there’s so much amazing character development from Pyro to Rogue to Nightcrawler to Wolverine and everyone else (well, except for Storm and Cyclops). Was it perfect? No, but it as, dare I court a pun, exceptional.
Overall, X-Men: The Last Stand seems rushed. The Angel is just there to say “Hey, I’m the Angel, I’m a character from the comic!” Jean Grey’s turn to evil is half explained and none-too satisfactory. It just happens. Also, there are a few grievous betrayals that are glossed over, and a major death happens off-screen. Mind you, none of the film even remotely resembles the source material. It’s like they were working off the first draft of a screenplay. It’s completely devoid of subtext or substance.
Oh, and the actual “Last Stand” reminded me of the beginning of Joel Schumacher’s “Batman and Robin” opening sequence…terrible. This movie was poorly written and quite a letdown. So, I say to you dear reader, at least Superman hits on June 30 and Snakes on a Plane hits August 18.
Xoxo
Ian!!!
Copyright 2006 Ian Gonzales

